#she's become the very person she's dedicated her life to killing

[abbyfmc]

Yandere story idea:

A king of the middle age era is devastated by the death of his wife, the queen. She passed away after giving birth to their daughter. To everyone, including the royal court, this was just an arranged marriage but to the yandere king she was not only a partner in royal duty, but his love and best friend since childhood.

The king was in denial after her death, so much so that he even investigated and executed the royal doctor and midwives, as he believed that they plotted something against his wife and ended up killing her in her most painful and delicate moment. Although the king never despised the baby (N/A: this being the "reason" why the queen lost her life, and on top of that a princess of the middle ages, where women were considered inferior to men), he was so immersed in his pain and depression that he simply left her in the care of the servants; being negligent and absent with her.

The king attended to his royal duties, but after that day he would lock himself away in the mausoleum or in the chambers that had once been his beloved's. For seven long years he was rarely seen smiling clearly, and he was rarely near his daughter. He was never married or even interested in anyone; his daughter, on the other hand, was full of luxuries but very lonely. She only wanted her father to hold her, spend time with her, and tell her a just simple "I love you," but he only pushed her away and isolated himself in his dead wife's chambers.

She clearly missed her father, and that's where you/darling come in. You entered the castle to look for work as a maid and once you managed to get in, you were assigned as one of the maids for the little seven-year-old princess and you clearly saw what the situation was like between her and her father. It was clear that he loved her, but he was too deep in depression and the maids were bitter; this, along with the absence of the queen due to her death, how could it not make the little princess feel lonely and very sad? With this, you got closer to the princess and began to feel sympathy for her. At first the princess didn't trust you, but as you managed to convince her that you were good, the little princess began to trust you. It was heartbreaking to hear her talk about the isolation and neglect between her and her father.

The princess and you began to become closer, to the point that in your free time you would take her out to play in the garden, making the princess not only feel the affection she needed, but this even caught the attention of the king, who, interested in the news, decided to keep an eye on you.

It's been a while since the king heard his daughter laugh so excitedly, so he approaches to see what's going on. At that moment, he notices you for the first time. After seeing his daughter shyly hide behind you, the king realizes the damage that distancing himself from his daughter has done to him, and from now on he dedicates himself not only to getting closer to her, but to keeping an eye on you.

The king begins to spy on you and with that, he slowly comes out of his emotional confinement. He personally assigns you as his daughter's main maid, allowing you to accompany her in everything. He sees how you take care of her with enough affection (or at least sympathy), causing the princess to open up more with him. Slowly, the king falls in love with you and doesn't want you to leave him. This causes him to fall in love to the point of obsession, making him assign you as his personal maid (yes, apart from being the princess's main servant). The king slowly lets go of his deceased wife to become obsessed with you and keep you by his side with the excuse of taking care of his daughter, since she practically adores you.

[lucianalight]

Since I doubt I ever write this:

Amora or Sigyn instead of Sylvie. Romantic past already exists and both can have common goal entangled with Loki's fate. Sigyn is probably a better choice for this. Sigyn could be from a universe where Loki didn't end up tortured/dead and it was taken from her so she is hellbent on destroying tva.

Mobius is more a dark grey character and what he does to Loki is not portrayed as helpful but torture. Loki decides helping him is the only way he can escape so he pretends he is doing that.

In the library he meets Varity who is very uncomfortable with her job because despite all the records being true sth about the whole tva is wrong. She speaks with Loki and sees through his truths and lies. And it makes her question everything.

Mobius keeps insulting Loki with his past and future, Verity is the one that keeps telling him the truth and supporting him. She and Loki become actually friends. Loki's questions and Verity supporting him make Mobius doubt his beliefs.

When tva catches Loki and his love interest again she tries to free Loki from torture and gets pruned. When they're in the void Mobius and B-15 try to take over tva.

Meanwhile Loki, love interest and Verity convince Lokis or some of them to help them fight Alioth. The three of them reach HWR. Verity confirms HWR is telling the truth. But loki knows there's more than one truth so he wants to think more about what to do. Love interest disagrees. They fight and throw Loku through a time door and kills HWR.

Verity goes back to find Loki and love interest goes to start a new life. You know on second thought maybe Amora is a better choice. Sigyn is too loyal to Loki to fit this storyline.

The focus on season one would be Loki's past and personality and identity issues. Healing with the help of Verity with flashbacks to his life in Asgard and his time with Thanos. Second season on being truly accepted and learning to be at peace with who he is. Second season could show us Verity's power is given to her by Loki the way HWR gave his notebook to Timely. It can happen almost the same with some changes and Loki won't be trapped in the tree he can go anywhere and anytime he wants so he, Verity and others dedicate their life to saving timelines. In the main timeline(I refuse to call it sacred) we see God of stories Loki motivates Loki(probably a telepathic suggestion) to find Thor. We see him finding Thor and reunite as God of stories smiles.

If you yourself could’ve directed/wrote the Loki series, what would you have done differently? What would you have wanted to see in a series about Loki? What would you have focused on? Would the series take place somewhere other than the TVA? Which characters would you include? What would be the end goal? What aspects of his character would be explored?

[fablegaze]

so. canto 5, huh

[narfin-frood]

i've been itching to share my swap au since i thought it up, but i think i now finally have an actual baseline to introduce it with!!

the idea isn't that it's a personality swap, but a role swap, with wander and sylvia as antagonists and hater and peepers as the protags, and i have a whole lot to say about it so im gonna go ahead and infodump below the cut

so i've renamed these two, at least, since hater's story has become less about getting over himself and more about how he sees the world Now That He's Gotten Over Himself. i'm calling him The Great (and absent) Lord Lackadaisical right now, but i don't think that's what he'd like to be called, since he's an absent ruler who doesn't really care to be in a position of so much power and would rather fuck off to all the planets with really nice hot tubs. he and Sir Peepers (his loyal knight who cannot be convinced to leave his side) travel the galaxy with hater's sweet ride (i'm not too good at designing motorcycles yet. pending).

i haven't thought of new names/titles for wander and sylvia just yet (i cannot just call him Sitter Over Therer) but i do know what their deal is, and it's the main reason i made this au (i feel like if wander were a villain he would not in fact be a villain like lord hater or dominator because i think that kinda disregards wander's whole Shit, he'd be like screwball, and even then he'd have very strong convictions that he's doing the right thing): wander has a cult (a hivemind, kinda) and sylvia is his priest.

i think wander comes along this mushroom during a time in his life when everything seems to have been torn asunder, and instead of continuing his adventures and learning and growing as a person, the mushroom offers a solution that doesn't require much effort on his behalf. the mushroom links people together borg-style, makes them share a brain and a purpose. wander not only thinks it's super neat, but he's in such a poor state of mind when he finds it, he convinces himself it's the only way to make the galaxy a better place.

sylvia is the only person in his Ring of Friends who isn't hooked up to the mushroom, because she's actually wander's friend, and she's his ride or die. she does the things she does out of free will and dedication to her best friend, including preaching and fisticuffs.

^^^ here's some more of my initial concept art. originally the mushroom was gonna be a tree, but i had a vision of an upside down mushroom (or several, to take the place of watchdogs) scuttling around and by god is it easy to make that look like his hat.

the thing that really really pushes wander over the edge is the sheer boredom of it all. when he's connected to the mushroom, he's very little more than the brain they all share. he can't move around, and that KILLS him (see: the hole lotta nuthin). so when hater (name pending) comes along and refuses to join him and annoys him enough, he gets suuuuper stoked about having something to really DO for once.

anyway. this is what i've got for now. do you like it. you can be honest if you dont like it

[prismalmelonman]

Touching on Gale, Wyll, and Halsin's traumas being a bit undermined in parts of the fandom

So one thing I notice on Twitter is how some people act about the bg3 characters whose abuses were perpetuated by women.

Gale specifically for this reason (but I will touch on others)bbecause I see him dismissed super often as "can't get over his ex".

But Gale's case obviously be has the line of Mystra being like "she was my muse, my teacher, and then my lover" and sure to some that's a red flag in itself (when it comes to adults I don't really give a fuck about teacher/student) but if you view it from not only Gale's own words "ive been connected with the weave for as long as i can remember"

And that doesn't distract from his genuine love of magic of course. And it also doesn't mean that he's actually been in connection with mystra for an amount of time.

However, if you ascend Gale, and he becomes a god, you get a bunch of new little things. Tara reminiscing of course, but you get a letter from Elminster, detailing that Mystra had Elminster scope out Gale when he was eight!

And sure is that pretty cool that he's a prodigy that got the attention of the goddess of magic at that age? Yes. Mystra is, however, known in forgotten Realms lore to seek young young boys who are in tune with magic to make into her chosen. And from context clues, her chosen can be anything from Elminster and Volo, dedicated wizards who try to keep things in check, etc etc. or they're somewhat of playthings to her.

Minsc also has a conversation where me mentions that weave-touched boys in his homeland were hidden away to hone their craft, then suspecting that it was because of Mystra, given Gale's case.

Gale always seems so proud that he got to bed a goddess, and on the surface, hell yeah, that's cool.

Gale continued to have her attention even as he went to Blackstaff Academy, and Mystra eventually did take him on as an apprentice directly to her, later making him her chosen, and sleeping with him.

The reason it bothers me that people dismiss all of Gale's stuff to just "he can't get over his ex" is because that's is like almost textbook grooming? She was in his life from a young age, shaping and moulding him up as he grew up to be her perfect chosen, rewarding him by sleeping with him, and so on. And then of course casting him away when he has his folly with the netherese orb (and to be fair, it very well could have looked like to her that he was trying to seize the power himself and yes the orb does siphon off weave. That is a problem for the mistress of the weave yes).

But she also tells gale to KILL HIMSELF for her forgiveness.

Gale is much more than "unable to be over his ex" this woman was in his life since he was a kid. She's almost all he has ever known. If course it's going to be difficult for him to 1. Say no to her. 2. Get over the fact that he's lost someone that he spent his literal entire life dedicated to. Honestly if asked, I don't even think Gale would acknowledge or really see that what he went through was, in fact, abuse until it was spelled out in front of him. (Which does happen somewhat with the player character pleading to him that killing himself for mystra's forgiveness is actually horrific and that he should in fact be angry for how he was treated)

Similarly, and this one has been discussed a lot, Wyll and Mizora. Wyll was 17 and actively trying to help his people. 17, in a vulnerable state, willing to do anything to help and prove himself. Mizora very clearly took advantage of him, and regards him as a "pet", refers to him being "leashed", and so on. Personally, I do dislike the sexualization of their relationship, because it very much is also grooming (although a different type. Rather than manipulating and shaping his life from the ground up, she takes advantage of a vulnerable and desperate state to manipulate and contract Wyll into doing her bidding. I won't go too deep I to this one because it has been discussed to hell and back. But I did wanna touch on Wyll's situation as well.

Also, Halsin as well, though that has also been discussed in many retrospectives by a very good friend of mine. Halsin's trauma often get dismissed due to his polyamory, open sexual nature, and his own somewhat diminishing/dismissal of it, which honestly I love the representation of, cause for a while I did that with my own trauma. Halsin was a sex slave to a house of Lolth-Sworn drow, a matriarchal society, where the men are generally used as fodder or for breeding, though male Lolth-Sworn drow can be wizards and rise in the ranks if wizardry, but are limited everywhere else. (Minthara mentions that the third male, and every subsequent male child after third are killed for being"useless"). Halsin often referred to them as "hosts" rather than being captors, (though he does touch on that if the Player Character threatens to sell him back into slavery). Again, everything I'd have to say here for Halsin has entirely been discussed top to bottom by a friend, their link is below!!

Anyway, long story short, I dislike it a lot when Gale, Wyll, and Halsin's traumas and abuses get diminished, even if/when the character themself doesn't see or acknowledge the abuse in the same lens that we, the players, do.

[spider-chris06]

Do you know why Spider-Verse Miles is my favorite Spider-Man?

He, without having a choice, had to do in two days, what took all the other Spider-Sonas in the multiverse weeks, become Spider-Man, all under the unimaginable pressure of being the successor to the previous Spider-Man of his universe, which left the bar too high, having to meet everyone else's expectations, and having to go through a tortuous journey while learning from his mentor.

Even when the spider-gang not only didn't trust him but even seemed to dislike Miles at first (Except, of course, Gwen and Peter B, who are very special cases)

And pressing him to see if he was ready and treating him like just a kid (Even Peni).

All so that he then went to his uncle, who was like a second father to him and someone who truly understood Miles, only to find out that he had always been a hitman, going so far as to almost end with the life of his nephew, until he realizes what he was about to do and... well, tragedy happens.

The death of Uncle Aaron, due to the depth and history behind it, remains the most tragic "death of Uncle Ben" in all of cinema... ever.

Miles stopped being the same since then, and even when a hurricane of emotions possessed him, he learned that no matter what, Spider-Man always gets up and keeps going, at the same time he learned to take his leap of faith. Before becoming Spider-Man he had a normal and happy life, but after being bitten by that spider his whole life fell apart, but of course, Miles is someone truly strong and full of determination thanks to the people close to him.

In two days, he surpassed almost the entire Spider-gang, and in a year and a half he become almost a professional as Spider-Man, even giving lessons to everyone else, and making it clear to Gwen and the others what truly means being Spider-Man, not standing by crossed arms while someone is in danger, but trying to do everything you can to save everyone, doing both things, even when it seems impossible, Spider-Man should always try, because everything it's possible.

At the same time that Miles felt stabbed in the back by the same people to whom he wanted to dedicate his entire future just to see them again since he felt alone and sad inside in the world without them, and, specially, without Gwen.

And let me remind something, Miles actually thinks she doesn't even love him and only sees him as a friend, but he still wants to see her

On the ATSV betrayal, he release all that hurricane of emotions that he had to swallow and accumulate inside during ITSV and during that entire year and a half for not having time for ALL those things said before, leading him to have anxiety and panic attacks (Something confirmed in the synopsis of the short "The Spider Within")

All so that they later reveal to him that he was a mistake, an anomaly, that he should never have been Spider-Man, that he killed the Peter of his universe, causing everything that gave MEANING to his life fell down in just a few minutes, leaving Miles more traumatized, mortified and with more trust issues than he already had before.

He really became one of the most tragic character of all the saga (Along with Peter B and, put it in some way, Miguel O' Hara)

And just because Miles looks with a cool and chill personality doesn't mean he's any less traumatized and mortified on the inside (An example is Andrew Garfield's Spider-Man).

Even though in the comics that nickname is only used because that is what his universe is called, in the movies, on the other hand, even though there are people on the internet who deny the fact that he is currently becoming an unstoppable phenomenon that is marking an entire generation and will mark future generations, Miles Morales proved to be, without a doubt, the Ultimate Spider-Man.

As a bonus, even though she always screwed up with everyone around her, both the living and the dead, Gwen showed that she really loves Miles and that he truly is the love of her life, however, needless to say, she has a lot of work to do in her redemption arc to be able to fix things with Miles, which will be very difficult but not impossible, even more so taking into account all the hate she received for everything that happened in ATSV.

Now she has to PROVE not only to him, but to all of us viewers, that she truly deserves to be with Miles, that they can have a life together by her own merit, and that all the hate towards her after the ATSV release it's truly unfair.

However, I have to be realistic, there are characters like Peni or even Peter B who should not be anything more than simple 'acquaintances' or 'partners' for Miles, since, with what they did, the term "Friend" It's too big for them.

In any case, Miles has the last word.

[bubblebbg]

Okay. Imagine. A demon slayer reader x Mizu. Bruh. She out her with a long line of family that has killed demons all across Japan and they send the reader out with wisteria and mask and a very special katana to keep demons away or to kill them. Only to meet Mizu and find her beautiful and want her to teach them how to become a samurai. Tagging along on her travels for revenge completely content with just following her and helping her out. Not thinking she is a demon at all.

Thank you that’s all.

In a society that is deeply xenophobic and alienating, Mizu is so traumatized by her upbringing and experiences as to believe that she is a demon. Societal pressures, prejudices, and superstition, as well as deeply rooted self hatred have all contributed to the belief. This belief is so consistently reaffirmed in her daily life as an outcast to normality, that it's all but a truth to her.

Then comes Demon Slayer!reader. Someone who takes genuine interest in her and builds trust through their constant presence. Someone who Mizu can admit has an incredible set of skills and unmatched swordsmanship. Someone she comes to deeply respect, and to love.

In loving you, she doesn't wish to deceive you. She holds onto a dangerous hope that somehow, just this once, the person she cares for won't turn their back when faced with the ugly truth. She timidly asks you one night, eyes betraying some fraction of her anxiety, "Would you stay by my side if I were a demon?"

And you laugh, which does nothing to soothe her nerves. "You're not a demon. I'll never have to face that choice."

She scoffs. "Right."

You set aside your cup of tea and attempt eye contact, but she sadly stares into the bonfire. "Is that what you believe," you whisper, "that you're a demon?"

She nods, her expression a mixture of shame, anger, desperation. "I know I am. I'm an onni."

And she cares for you so deeply that she's about ready to apologize for deceiving you. But you're voice is filled with a determination she's never witnessed when you reply, "I come from generations of demon slaying. I have dedicated nearly every second of my life to tracking, hunting, and killing demons. Do you think you could have possibly deceived me all this time? Do you trust so little in my expertise that you think a demon could have fooled me for so long?"

She lifts her eyes to look at you, unsure of where you're headed.

"You are not a demon, Mizu. You aren't even close, and with me around, you never will be. I won't let you become one. However," your voice softens, your hand covering hers, "If it turned out that I was truly a fool, and that all of Japan and yourself were correct and you were a demon, I would still love you. You could have been a woman, a man, a breeze in the trees, or a storm approaching the shore, and I would have loved you anyway."

[closetsof-backlogged-dreams]

okay so I’ve seen and loved a bunch of these posts already but everything u say is immediately correct and amazing and sending u asks is the best

opinions on why zukka works and makes sense as a ship and if you think it could work in canon (outside of fanon)?

I CANT BELIEVE YOU JUST MADE MY ENTIRE LIFE COMPLETE AND FULL BY ASKING ME THIS QUESTIONNNN (strap in folks hold on to your hats keep a good hold on your bladders bc this is 10+ years worth of BUSINESS)

Why "Zukka" works and makes sense as a ship

something i've discussed THROUGHLY with my notes app and a school slides presentation is that Zuko and Sokka are both direct parallels AND contrasts to one another, at the same time. i'll list them out here:

Their fathers' roles in their lives

Both Hakoda and Ozai were the leaders of their respective nations, with Sokka and Zuko as the heirs. Then, they both become absent in their sons' lives and leave them to fend for themselves.

This is a parallel, but this is also where they contrast. Sokka's father left to go fight in the war, a noble and honest pursuit, and left Sokka to protect his sister and the village.

Ozai, on the other hand, cast Zuko out of the nation and forced him to protect and defend himself, while effectively turning all their people and his own sister against him.

Their sisters' roles in their lives

Despite both of them being the oldest sibling and brother, they both have severe inferiority complexes due to their younger, powerful bending sisters.

With Katara, she was the only waterbender in the entire tribe, a marvel. She could learn to protect the tribe in a way that Sokka had been trying all his life, and she eventually does. Despite all this, Katara is still a grounding and valued person in his life, and he would be completely lost without her (something he openly admits to in canon!!)

With Azula, she was a prodigy firebender, while also being a special kind of keen and cunning. She was adored by their father and grandfather and Zuko could never quite measure up. Because of this, Azula is the main villain in Zuko's childhood. She does everything she can to break him down, and that continues when she returns as a character in his life in season two. All throughout the show, instead of being a source of comfort and familial love, she is his main obstacle he must overcome.

The loss of their mothers

Both Sokka and Zuko lost their mothers at very young ages to the Fire Nation, but they had vastly different impacts on their families (and further developed their sisters' roles in their lives!!)

When Sokka's mother died, she was killed by a Fire Nation general. Katara quickly took over the motherly role in his life, cementing her place as a grounding and comforting force. Her death also did not break their family. It deeply hurt all of them, but Katara, Sokka, and Hakoda still loved one another just as much as before.

When Zuko's mother died (obviously not really, but this is what he believes for many years), she was "killed" in order for his father to ascend to the throne and become Fire Lord. This left Zuko without anyone to protect him from Azula's tormenting and cemented her place as a destructive, villainous person in his life. Ursa's death also did destroy their family. Whatever way she had managed to keep them all together was eradicated, and Zuko was left with a sister and father that resented him and a sister fighting for his place in the line of succession.

Their obessesions

Both Sokka and Zuko had two bone-deep obsessions that were very defining parts of their characters in the first season, that slowly wavered and faded away as the story progressed and they developed as people. They were both given these obsessions by their fathers immediately before they became absent in their lives (whether leaving themself or sending their son away) and proceeded to dedicate their entire life to these goals in the name of honor.

With Sokka, his father asked him to protect his sister and his village. Sokka then dedicates all his time and energy to becoming a brave soldier and training the children of the village in order to protect his people. This is seen further in season one even after they leave, when he is overly protective of Katara and constantly worried for her safety (something this fandom doesn't talk about enough!!)

With Zuko, his father sent him on a wild goose-chase to find the hundred-years-lost Avatar, and when he actually does, all he can do is chase after Aang so he can go back home. As we see in season three, letting go of capturing the Avatar was essentially letting go of his former self.

Unlearning their flawed cultures (the big one!!!!)

Both of their cultures had many flaws that became ingrained in their belief systems and characters; their whole development is dedicated to unlearning these flawed teachings and reorienting their perception of the world.

It is very obvious throughout the shows that the Water Tribe had strict gender roles that were both implicitly and explicitly taught from birth. The men go off to fight in the war, the women take care of the children, Sokka has to protect his "defenseless" little sister, etc. Suki helped start him on the journey of unlearning his deeply-rooted misogyny, and by the end of the series he's really drinking the Respect Women Juice™️ (unlearning the flaws of his culture also brought him much closer to his sister and strengthened their bond and respect for one another)

The Fire Nation is a lot more complicated with a lot more cultural nuances and implicit and explicit teachings, but we'll focus on one central cultural theme: the constant prioritization of ambition over absolutely everything else, including (if not especially) love. (I actually talk about this extensively in another analysis post about Azula, if you want to check that out<3) We see Zuko battle with this teaching all throughout the series, and it is the main conflict he faces, at its heart.

We watch him commit his entire life to capturing the Avatar in season one. We watch him betray his uncle in season two. We watch him, time and time again, put his own health and safety on the line trying to capture Aang, especially in season one. Constantly, over and over again, he puts his ambition first because that was what he was taught.

And though this is a trait him and Azula share, it is also what pits them against each other. Azula's entire character is built on putting ambition first, and that leads her to chasing the throne that is Zuko's birthright. Zuko just wants to go home, but that would reestablish him as the heir to the throne. Time and time again, we watch them fight and betray each other, constantly battling for this crown for a broken nation. In the end, it is Azula's undoing, but that's another post.

All in all, unlearning the flaws of their culture is central to their development as characters and a place where they parallel... but it is also a place where they directly (and perfectly) contrast.

Despite the cruelty of the Fire Nation, they are the only military that includes women. They seem to not really struggle with the same gender roles the rest of the world does. They may be colonizers, but they're not misogynists. Zuko never looked down on his sister because she was a woman, nor did her father. It was always her propensity for cruelty that undid her. (They even send a team of highly skilled women to capture the Avatar!!)

This is a direct contrast to the teachings of the Water Tribe, which are entrenched in misogyny and gender roles. The men go off to war, the women stay behind. The men are strong, the women are weak. Can you imagine how much Zuko could have assisted Sokka in his development here? (blah blah directly paralleling Suki's role in Sokka's life blah blah blah)

In the Water Tribe, love and family comes before everything. We see that time and time again. Sokka's main priority, every time, is his sister and his tribe. They stick together. They love one another. They are united, with one person leading them as a group but not standing over them like a tyrant. "Ambition" seems like a mostly unheard of concept in their nation. The only ambition we ever really see from Sokka is when he's trying to protect his tribe (season one finale)!!

Can you imagine how much Sokka could have helped Zuko unlearn his constant prioritization of ambition?? Like, come on. All the things Zuko was left to stew with and angst over all on his own Sokka could have gently taken into his own hands and shown him the way. Like, it actually makes me go feral just thinking about it. Sokka could have helped Zuko so much!! (pushing the Ba Sing Se Zukka AU rn)

Consensus

Okay, let's recap. It looks like Zuko and Sokka are both direct parallels and contrasts, paralleling in the ways that allow them to understand each other but contrasting in the ways that help them heal one another. Like, it's actually insane. I really don't know if it was intentional or not but it's really just so perfect. They slot together perfectly as characters. I hope this all made sense😭😭

Could "Zukka" work in canon?

Now, this is tricky. Believe it or not I'm actually really glad they didn't make Zukka canon. ATLA had a huge problem with writing good romance, and in the canon we saw in the show, neither Sokka or Zuko were in a place to get together.

I've enjoyed my fair share of Zukka AUs where they get together before the end of the war, but you and I both know that would have been a hot mess. (Both of them just weren't ready, they were both in relationships, and sorry but they were kinda busy—Katara was right about the whole "there are other things to worry about.") If they were ever to get together in canon, it would have to be years after the war ended.

Let's address a few things that needed to happen before they could ever have gotten together:

Finally admitting that Maiko was just an extreme example of comphet

Zuko did not give a single shit about that girl. Like. He didn't even personally go get her out of prison WHEN SHE WAS LITERALLY ARRESTED FOR PROTECTING HIM😭😭 And then they try to play off their story as some big epic romance?? uhhhh no

(really, Mai was in long-time unrequited love with Ty Lee that was finally requited after Boiling Rock but idk if society is ready for that yet)

Not to mention, Azula literally forced both of them into that relationship, but if I get started with that I'll never stop so. Moving on.

Figuring out Sokka and Suki

Okay, so while there is a good chance that Sokka and Suki could have made it work in canon, there is also a good chance they would have broken up. They both had very different priorities: while they both did care about overall world peace, it was obvious from Suki's first introduction that her Kyoshi Warriors were her top priority every time, and Sokka's was his tribe, his found family (Aang, Katara, Toph, Zuko, yk yk), and world peace at large. You're telling me those don't conflict? Especially because they really seem like a Piper/Jason situation, where they found comfort and love in each other during wartime but wouldn't have known how to keep up the relationship without the constant threat of death.

Overall, in order for Zukka to work, Sokka and Suki would have had to break up, which would not have been difficult to arrange.

Sokka needed to go home and begin rebuilding the Water Tribe

No matter how much I adore fics where Sokka stays behind in the Fire Nation and helps Zuko rebuild, it just wouldn't work. Sokka's obvious priority had always been his tribe. The second the war was over (ignoring the comics bc that's a can of complicated worms i don't want to get into), he would've gone back with Katara to work on rebuilding their destroyed tribe. Only once the Southern Tribe could stand steadily on its own two legs could he have even considered leaving.

Anyways, that's really it. In order for Zukka to work, three plot points would have to be resolved: Maiko, Sukka, and the reparation of the Southern Water Tribe. Extremely doable, imo.

Personality-wise and just as characters, would it have worked?

I really think it would have! Like I said before, Sokka and Zuko are two characters that perfectly parallel and contrast at all the exactly right points to make them slot together flawlessly as a pair. (Whether that's romantic or not—doesn't matter.) Really, I genuinely think they are a real missed opportunity. I have genuinely never seen two characters that seem so different that actually work that well together, or even just characters that work that well together at all.

Like, I really mean it, they are perfect matches. It's genuinely scary. Like it or not, no one will ever be able to replicate the perfection of what Zukka could have been.

Anyone that says that it's "random" or "doesn't work" obviously hasn't been watching the same show or simply just hasn't been paying attention. People might ship it just because it's opposites attract or red and blue or even just the most accessible MLM ship in the fandom, but they really are perfect for each other.

alright, I think that's it! sorry for this monster of a post😭😭 genuinely did NOT expect that to happen. PLS SEND ME ANY ASKS YOU CAN THINK OF ABOUT THESE TWO!! i have spent a concerning amount of time thinking about them and these show has analysis potential for days, so. (and who knows, maybe i'll finally post the like three unfinished fics i have for them💀💀 god knows i should)

thanks for the ask, and have a great day <3

[caligvlasaqvarivm]

Just wanted to tell you that pitch fefnep is real as fuck and I appreciate you bringing it to my attention.

Are there any other pitch ships you seriously live for?

My big one is Eridan <3< Calliope (#callidan let's make it happen)! There's a lot of karmic stuff linking them together - I'm not going to say it ALL here, but suffice to mention that cherubs are naturally attracted pitch-wise to people who resemble the half they lost in predomination, and Eridan literally made his username "cal" (caligula, so it's even 8 letters, lmao).

Personality-wise, though, fully-character-developed Eridan and Calliope are like a match made in hell. Eridan is violent, obsessed with murder, deliberately likes to style himself as an arrogant, evil despot, says a lot of slurs, is a complete moron who doesn't listen to people but believes in stuff very very strongly anyways, and, assuming he's finished his character arc, somehow still manages to be a force for good. This makes him similar to Caliborn in a lot of ways (Hussie even calls Eridan a sort of proto-Caliborn MULTIPLE times in the book commentary), and Calliope would have a lot to get infuriated by, especially since that last point would give Eridan that "i hate everything about you, BUT..." factor that makes a pitch relationship work.

OTOH, Calliope gets super fucking smug when she starts winning, Eridan would 100% see her as a poser wizard (who needs to load their MAGIC WAND with BULLETS????) as well as a poser troll. She would also definitely adopt a stance of "every life is precious," and already displayed compassion and forgiveness to a dangerous degree wrt Caliborn, and all of this would probably piss Eridan off. Also, Eridan is easy, and the fact that Calliope is actually willing to entertain him in pitch at all is probably enough to get him to date her in blackrom all by itself. LBR, all it really takes to date Eridan is just being willing to date Eridan. This is both a low and high bar to clear.

Given that murdering and genocide-obsessing literally kept his friends alive long enough to play the game, I just can't see Eridan ever becoming a pacifist, or even coming to see murder as a bad thing (even if he'd feel bad about and apologize for murdering his friends specifically).

It'd also be pretty bad if the Hope player (ideals, convictions, faith, and also turning fake stuff real) had wrong beliefs, so Eridan's character arc wouldn't so much see his obsession with murder dropped so much as having it reoriented, his focus becoming "I care about my friends and will do anything to make sure they succeed in creating a better world. I'd kill for them. I will kill for them. I am going to kill for them."

He's still kind of a token evil teammate as a result - the guy who pipes up at every town hall to go, "y'know, murder is on the table. I'm not saying that I want to do it or even that we should, but I'm just reminding you that it's a tool in our arsenal, and something our enemies might resort to" as well as the debbie downer who reminds people that meat comes from animals that used to have families.

Plus, given that his hipster stuff ties in with being a Hope player - the staunch and firm beliefs in there being "better" stuff, the unshakeable conviction and dedication toward being anti-mainstream, and the fact that it's one of his few genuine interests besides magic - that trait actually gets exacerbated in lieu of the fake pro-empire, dualscar-emulating stuff he was doing before.

So, basically, Eridan given the full redemption arc + character development combo would spit out an Eridan that's MORE annoying than he was before? Because, like, not only is he a turbo pretentious hipster now, but he's also the "heartbreaking: the worst person you know just made an excellent point" guy. He's comfortable in his own skin, no longer trying to be something he isn't. Instead, with absolute, non-negotiable, unshakeable faith in himself, he is 100% of what he is.

"What he is," of course, being a neurotic, murder-obsessed, low-empathy lunatic with zero social skills, a pretentious hipster, a cringe-ass wizard who won't shut up about it and has no self-awareness of how cringe he's being, still 100% aggro 100% of the time, and an obsessive simp. In a very leftist/existentialist way, he would fully own up to having done horrible things, and being willing to do them again, should the circumstances call for them. "Shameless" is probably a good word to use, here.

Meanwhile, Calliope is genuinely well-meaning as fuck, even if she doesn't fully grasp things like "humans going trickster mode is bad actually" and that her fascination/obsession with the trolls and kids as "characters" still borders on dehumanizing.

Still, it's clear that she operates from a place of love and admiration, and given a lease on life free from her brother and surrounded by friends, I do genuinely believe Calliope's arc culminates in her being the embodiement of the ideas that we must be good to each other, kind to each other, loving to each other, and trust and care for each other. After all, she has it within her; her alternate self was willing to make the ultimate sacrifice for the good of several universes.

Still, Calliope as this cosmic, karmic force of good - what the comic ultimately exonorates and treats as something worthy of protection and rescue - sets her up against Eridan ideologically really well. Calliope represents "we must do good" in the most optimistic sense - people will be kind back if you are kind to them, and to create a loving society, a caring society, we must care about others, we must believe in others.

Meanwhile, Eridan would represent "we must do good" in the most dark and pessimistic sense - we must be prepared to sacrifice for each other, we hold duties to one another, we must be our best selves because we owe it to each other, we must not accept complacency, we must be ever-vigilant of our worst tendencies, we must take responsibility. No society exists without sacrifice, no revolution is without bloodshed, and nothing is ever worth fighting for that won't eventually need to be fought for - and who will do the fighting? The society that separates its scholars from its warriors will have its thinking done by cowards and its fighting by fools, etc.

Like how pitch FefNep works for me on this axis of pragmatism vs. idealism - Feferi and Nepeta are both fundamentally duking it out over what it means to create and administer a society, with Nepeta representing unbridled freedom, while Feferi brings to the table controlling restraint. Neither is fully correct on their own - Nepeta is anarchic, and so her ideals are inherently unstable, while Feferi is fascistic, which can cause great harm. It's Hegalian dialectics. Thesis, antithesis, and their union/rivalry is the synthesis into a greater nuanced balance between the two.

Callidan works for me in the same way: Calliope and Eridan are both fundamentally aiming to create a world that's good, and Calliope says, we must be kind, while Eridan says, we must be cruel. They're both correct, and both have an ideal that can't stand on its own. Calliope's hardline stance of pure compassion lets bad apples take advantage, while Eridan's hardline stance of sacrifice and personal responsibility leads to misery and unfulfillment. Together, they strike a harmony.

And also they'd be so funny together. Like

UU: i believe that in order to create a kind and beaUtifUl world, we mUst be kind to each other. we mUst believe in each other no matter what. there is no fUtUre if it is not boUnd in love, trUst, and empathy.

CA: yeah fuckin right dont tell me you actually BELIEVVE that codswwallop those ideals sure held up wwhen wwe MURDERED THE EVVER LOVVIN SHIT OUTTA YOUR BROTHER

CA: reality aint so fuckin simple evvery societys got sacrifices need doin evvil bastards need killin and somebodys got to pull the trigger

UU: i swear, speaking with yoU is aboUt as pleasant as a sandpaper facial.

UU: and yet i continUe to do so, and do yoU know why? it's becaUse i do, in fact, believe in what i said, and i will, in fact, continUe to treat yoU with *love and compassion* despite yoUr repeated efforts to throw mine into the bin!!!!!!!!!!!

CA: i nevver asked for your so called lovve and compassion skullhag and i dont bloody need it either

UU: well, that's jUst too bad, isn't it? poor eridan, yoU were treated so poorly on alternia, and now yoU're angry and Upset all the time. my heart aches for yoUr plight!

CA: ill showw you a flippin PLIGHT scumskull meet me at the usual place

UU: <kisses> ~3U

UU's computer exploded!

uranianUmbra [UU] began cheering caligulasAquarium [CA]

UU: STOP DOING THAT.

Also... they're both British... so it's British on British violence... IDK that personally really elevates it for me

[thesummerestsolstice]

In my post about the strange residents of Rivendell, I mentioned a Feanorian die-hard and an old bodyguard of Thingol. I recently hit a thousand reblogs– which is amazing! So in honor of that, I'm writing their stories out. This is part one, I'll get the rest out over the next couple days.

The Feanorian Die-hard: Hrivossa

Maedhros' right hand at Himring, a dedicated captain with an axe and a burning hatred of Morgoth

Laiquendi former thrall, captured during the First Battle of Beleriand; when the Laiquendi king Denethor was killed

Was refused entry to Doriath after escaping from Angband– at this point, most escaped prisoners were thought to be sleeper agents sent to get information for Morgoth

Wandered for the next few years, mostly alone, occasionally finding Elvish towns that feared her because of the marks of Morgoth's torture and thought her one of his puppets

Ended up stumbling across one of Maedhros's orc hunting parties in the Early First Age, and jumped at the chance to actually fight Morgoth

Maedhros was also one of the only lords willing to help former thralls at that point; he gaze Hrivossa a new home and purpose, fighting alongside him against their shared tormentor

It's not hard to understand why she became so loyal to the Feanorian cause

This is also when she took the Quenya name Hrivossa, "winter wall," because she was as frigid and unbreakable as Himring's walls

(her original Nandor name is mostly for her close friends)

Between Denethor's death and hiding in Doriath with Melian instead of doing anything about Morgoth, Hrivossa absolutely hates Thingol

She's generally a cold person around strangers, but she warms up around her friends, and her wits and tongue are as sharp as her sword

Part of the general morbid humor culture that built up in First Age Himring

She does not have a soft spot for the Sindar claiming that the Silmaril belongs to them now

She does have a noticeable soft spot for small half-elves who keep pestering her for stories about what life was like in Beleriand before the sun and moon

She fought with Maedhros until the bloody, bitter end, being forcefully brought into the custody of Valinor's forces late in the War of Wrath

She was the leader of the Feanorian faction who chose not to submit to the Valar's judgement, or to willingly go to Aman to do penance

They generally made themselves trouble while in custody

To avoid any more ugly conflict, Elrond eventually took responsibility for this faction, becoming their lord (though Elrond did NOT become Lord of the House of Feanor) and promising to keep them from committing any more violent acts

Hrivossa and the others, all of whom had lived in Amon Ereb and helped raised Elrond, found this agreeable

All of these elves are still very much see Elrond as their Lords' child, who must be protected at all costs, so there's that

And that is the story of how Elrond became responsible for the remaining Feanorians, but only the really fucked up ones

Seriously, they don't do any other murders, but they do cause all sorts of other trouble

Also, how Elrond inherited one (1) extremely determined bodyguard

[dangermousie]

Hey dangermousie some time when you're feeling up for an ask: what are your favorite webnovels? Like danmei, bg, general fiction, anything. You've shared so many intetesting sounding novels in other posts so I was curious what some of the top favorites are? I remember Sha Po Lang, Ever Night, and The Dreamer in the Spring Boudoir (which I'm reading because of you ToT)

I love this ask! I am gonna limit myself to 35 novels or we will be here all night. The usual caveat is - this is very personal. You will see that out of 35 (well, 36) novels, there is only one modern, there is a lot of angst and things like noncon and unhealthy relationships don't bother me. But I dislike harem infights and protags who are too OP.

35 I Became the Older Brother of the Heroine in an Abusive Novel by Liu Gou Hua (danmei) - a lovely novel where one half of otp is healthy and wholesome and the other abused feral wreck who melts under sanity and care.

34 After the Disabled God of War Became My Concubine by Liu Gou Hua (danmei) - our MC is a modern person who transmigrates into a historical bad guy who apparently married a captured and crippled general who eventually healed, escaped and committed a lot of murder to avenge his humiliation. Poor historian MC transmigrates right before the wedding and is desperate to avoid the fate of having his head hang on the city gates for three years in the near future. Good luck! This has such a wholesome (yet not boring) OTP. Proof that healthy doesn't have to be dull.

33 You've Got Mail by He Dan Bai (danmei) - the sex in this one is gonzo and biologically questionable but the love story is wistful and sweet and somehow both hilarious and involving two rather damaged people.

32 The Blue Whisper by Jiu Lu Fei Xiang (het) - the novel is a bona fide angst masterpiece, which really delves into what it feels like to be imprisoned or to love and what makes you you. I sniffled throughout.

31 The Paranoid Emperor’s Black Moonlight Shizun by Chen Sensen (danmei) - a really screwed up disciple and a really decent master have some insane entanglements. To say more would be to spoil but if you want some intensity, angst, groveling and utter codependency and did I mention ANGST? this one is for you!

30 Demon King's Repayment by Gong Xinwen (het) - another delicious Gong Xinwen tale with a powerful ML dedicated to capable FL. This one is a great fantasy plot (I keep imagining it as an animated series) and a sprawling cast of amazing secondaries (and secondary OTPs - there is, I swear, an OTP that is Dong Hua x Feng Jiu done thru GXW lens) to boot.

29 Accompanying the Phoenix by Jiu Lu Fei Xiang (het) - the one that just got adapted into The Legend of Shen Li, this is high adventure and cottage core and funny and tragic and powerful ML being putty in the hands of capable FL and just EVERYTHING.

28 The Counterattack of the Cannon Fodder Chambermaid by Jia Mian De Sheng Yan (het) - I remember starting this and loving the realistic feel and the heroine and wanting to stab the hero. Yet the end I was on board with both the hero (who was abused and is rather autistic-coded) and the OTP. Anyway, heroine is a servant who was a concubine in the last life and got killed as part of a rich family’s harem intrigues. In this life, she just wants to keep her head down but her life gets derailed anyway. She gets sold away and eventually made a servant in the household of an exiled prince who takes a fancy to her and she endures it because what choice does she have? All she wanted was to serve out her term and become a small time merchant. This is quite realistic about lack of options for women, especially lower class women or upper class male attitudes (ML is never vicious or mean to FL but it does not initially occur to him to wonder if she fancies him or enjoys being his concubine or w/e.) It is a DELIGHTFUL slow burn tho as they grow to love each other and grow together and become one of the most wholesome cnovel couples out there.

27 The Black Moonlight Holds the BE Script by Teng Luo Wei Zhi (het) - so fucked up, so good, with monster hero who learns to love and be human and heroine who learns to love and be human (but from the other side, her tower of perfection), with a complex plot and no easy outs.

26 The Grand Princess by Mo Shu Bai (het) - a husband and wife who really drifted apart and ended up killing each other (or did they?) get a second chance as they are reborn as their younger selves. This has a great plot, a competent set of protags, and slow burn with complexity and trauma and somehow yet lightness. Plus awesome secondary OTPs!

25 Copper Coins by Mu Su Li (danmei) - a monk and a dragon? More likely than you may think. This is smart and wistful and made me cry; the romance doesn't kick in for the longest time and it doesn't even matter.

24 The Golden Terrace by Cang Wu Bin Bai (danmei) - two smart and principled (yes, they both have principles different though they may be) men navigate their arranged marriage, their past friendship and their past break up, become a super couple (one of the healthiest danmei couples I’ve ever read and proves healthy doesn’t have to be boring), save the country and bring down the emperor or two and just generally this is my rainy day book.

23 Long Wind Crossing (Destined) by Mo Shu Bai (het) - two functional lovely people fighting the world and growing up together and forming an amazing marriage.

22 Mistakenly Saving the Villain by Feng Yu Nie (danmei) - so underrated. A perfect h/c fantasy with the most functional MC and fucked up ML that never puts even a toe wrong with a premise that could go seriously bad so many different ways, instead telling a funny, moving story of love helping you heal.

21 I'll Be the Male Lead's Sister in Law by September Flowing Fire (het) - one of my all time favorite novels. Heroine is made to marry a disabled nephew of the emperor. He used to be a victorious god of war but went mad and now is basically locked away and kept as a beast. GOD I LOVE THIS NOVEL SO MUCHHHHH! So much hurt/comfort and awesome OTP and after he eventually recovers, all he wants to do is to fight and murder things and dote on wifey. MMM. He’s honestly one of my fave MLs.

20 The Rebirth of a Star General by Qian Sha Cha Ke (het) - not a typical QSCK at all, this one has a heroine who wakes up after being killed by her awful family; in her past life she was a general whose glory went to her cousin but here she chooses to start anew. Revenge is secondary to her - forming a new life and healing are really the focus. Also the OTP (FL and a male general with his own tragedy, and her former schoolmate) is just EVERYTHING!

19 Nan Chan by Tang Jiu Qing (danmei) - it reads like poetry crossed with a nightmare. One of the most unusual novels I've read and with the most alien set of protagonists I've ever read and believably so (a personification of a sword and a cannibalistic fish), I can't even describe this in any way other than a deity-centric paean to atheism.

18 The Rest of My Life by Mo Shu Bai (het) - the sole modern on this list, this is a novella about an aftermath of a regular office worker with a regular life and a regular husband being raped. It's a hard hard read but it's amazing.

17 To Rule In a Turbulent World by Fei Tian Ye Xiang (danmei) - gay Minglan is my elevator pitch. Well that or "what happens if you stick cottagecore and crucifixion in one novel."

It’s a BL novel but honestly, it’s a slice of life period novel with fascinating characters and setting that happens to have a gay OTP, not a romance in a period setting per se. It’s meticulously written and smart and deals with character development and somehow makes daily minutia fascinating (I never thought I’d find daily farming things interesting but here I am.) Farming, politics and the sudden horrors of war all intermingle perfectly.

Our protagonist, You Miao, is the son of a fabulously wealthy merchant, sent to the capital to make connections and study. As the story starts, he buys a sex slave on a whim from his friend (OK, wait wait wait don’t go, why are you bailing :P) Basically You Miao sees his friend’s servants beating someone to death, feels bad, and buys him because, as we discover gradually and organically, You Miao may be wealthy and occasionally immature but he is a genuinely good person. Let's back up - You Miao - our protag. He is the main reason I love the novel. It’s hard to write a character who is wealthy, kinda spoiled, sometimes immature and still make him eminently likeable. You Miao is also smart, pragmatic, funny, surprisingly laid back, a people person, and with a stubborn streak a mile wide. He is not perfect in any way but he is a real living breathing person I came to love.

Anyway, the ostensible sex slave he buys is a barbarian from beyond the wall, named Li Zhifeng. It’s touch and go if the man will survive but eventually he does and You Miao, who by then has to return home, gives him his papers and lets him go (not before they have some pretty explicit sex because hey - You Miao is all ‘why not, might be fun to try’ and LZF is “dude saved my life, why not.’ One of the things I love about the story is that there is no instalove - both sex and love make sense in the way and the order they happen; the two bang on a semi regular basis long before their feelings fully develop into love, which is pretty gradual and realistic.) However, LZF decides to stick with You Miao instead, both out of sense of debt for YM saving his life and because he genuinely likes him. One of the pleasures of the novel is watching LZF slowly transform from a piece of wood automaton into a genuine person who allows himself joy or temper.

So meticulously written, so smart, so vivid, such a cast of secondary characters (that friend who was beating LZF to death ended up being one of my favorite, most tragic characters in the novel because the author gets people are complex.)

16 The Scum Villain's Self-Saving System by MXTX (danmei) - a pastiche parody of web novels that somehow is both witty and makes me genuinely feel desperately for the protags. Go read!

15 Dandere General and His Lord by Gong Xinwen (het) - God, I love this one. Heroine transmigrates from modern world into a brutal slave-holding world at war (think something like Warring States era.) Our heroine transmigrates into the body of a noblewoman who just hung herself. When she comes to, she discovers that woman’s twin brother was the ruler of a city poisoned by a rival claimant and the besieging army of said claimant is about to take the city and original occupant of the body and the rest of the family chose suicide as a way to avoid dishonor. Our heroine refuses, schemes with advisors to pass as the brother and rally the troops. Once the invaders are defeated, she keeps on the masquerade and rides off to one of the never-ending wars “she” is summoned to. Our hero couldn’t be farther from this. A slave and a son of a slave, he’s escaped a horrific, starving childhood during which he narrowly avoided being murdered or raped, and ended up in the army. When the story opens, he distinguished himself in battle and as a reward, he and a few of his fellow slave warriors are invited to a banquet, where they are given some alcohol and to be playthings of any nobles who want them. One of them does not survive this but ML is lucky - heroine feels terrible and so “claims” him for herself. Instead she just tends to his wounds and sends him back. She does not fancy him or anything, she is just a human being with a conscience. And the story goes from there.

14 The Marquis Is Innocent by Peng Lai Ke (het) - this is the set up of very beautiful yet utterly cold-hearted woman marrying a ruthless, powerful man who eventually ends up on top of the murder pyramid. And a relationship that starts as a political arrangement with the husband not caring for her but then the ruthless scheming murder machine falls hard for her while FL actually does not, not yet. It takes a long time. This is such a glorious slow burn (I think by now you realized I love slow burns) and it takes her a very long time to open up or for him to realize that is what he wants (he's a very believable period man who finds it hard to admit he can actually have his happiness based on a woman) and there are steps forward and back and it's glorious, glorious!

13 Thousand Miles of Bright Moonlight by 罗青梅 (haven't seen it transliterated) (het) - one of my ultimate favorites, this would make such an epic drama! A smart as hell but cautious and wounded heroine, a hero who is a monk and a warrior but also terribly ill and such a vivid world and amazing secondary characters (heroine’s brother is possibly my favorite supporting character of all time) and so much angst and happy ending. Both the protags are such intense, good people longing for happiness but not daring for it. This has an amazing romance but it’s not romance-centric if it makes sense - ML doesn’t appear for a while. But once he does, it’s worth it!

12 Mountain and River Pillow by Mo Shu Bai (het) - a tender intense and tragic slowburn which shows the limits of knowing what will happen and the fight to reestablish the family with an amazing amazing OTP. Heroine transmigrated into her past self; this time she chooses to go through with her arranged marriage instead of running away for love (it ended badly) but her knowledge fails to prevent her new sweet husband and his whole family murdered in battle and framed for treason. All that is, except for her husband's youngest brother, barely adult and left with an almost impossible task. In the past life he managed but it hollowed him out. In this one he has a sister in law to assist so...Anyway, both the protags are smart, good, intense and amazing people and I love them separately and as an OTP. By far my favorite MSB novel.

11 Those Years In Quest of Honour Mine by Man Man He Qi Duo (danmei) - another really underrated gem, it’s funny and heart-breaking and made me laugh and sniffle within pages of each other. Its two protagonists are both walking wounded but also good people, and watching them find happiness despite all the horrors the world threw at them, watching them take care of each other is so lovely. Also, someone once described the ML as “Lan Wangji gone feral” and that is just A++++

10 The Grandmaster of Demonic Cultivation by MXTX (danmei) - we all know that one is there even any point describing it.

9 Nightfall/Ever Night by Mao Ni (not romance centric but het) - so long but also so smart and unusual and bloody and tho it’s not primarily a romance, you will never see another ML who loves his FL as much as Ning Que does his Sang Sang. And the worldbuilding and the plot and the characters and just so so bleak.

8 Wu Chang Jie by Shui Qian Cheng (danmei) - are you an emotional vampire? I am and this novel is a banquet. In a highly fantastical setting, we meet our protagonists - the sunny Xie Bian and the intense and surly Fan Wushe. Xie Bian is a human who assists his master in conveying souls to the underworld and making sure no mishaps happen. Bian is concentrated sunshine in human form and to meet him is to love him. When the novel opens, his drunk master brings back another human to be his shidi and assist with duties - said human is uncommunicative, intense and surly Wushe. Bian is excited to have a shidi but little does he know that a story dealing with the horrors of past lifetime is about to start.

Anyway, why WCJ? So many reasons. It has such a dark bleak worldview - this world is a horrifying system where powerful cannibalize each other’s cores for an impossible chance to ascend, where gods have sealed off their realm and all that’s left is neverending human misery and hell (the only way you’d see a deity is if they’d been sent down to suffer over and over and over), where even reincarnation doesn’t fix things and bad acts are often unpunished. And the novel then asks - is it worth being a good person in such a world? More, is it worth being a good person in such a world when nothing good has ever happened to you and you have been repeatedly betrayed due to your goodness? And the answer, on Bian’s part, is an uncompromising yes.

Ah yes, the other reason to love this novel - the protagonists and their fucked up fucked up relationship. Bian (who was Prince Ziheng in the past life) is so genuinely good. But he is that rare thing - good but not saintly, noble but not cloying. So much of the novel is his getting taken apart over and over and barely able to put himself back together every time but his soul is still as amazing as ever. And then there is Wushe (who was Prince Zixiao in past life, Ziheng’s not-bio-related brother.) Wushe is not a good person. He is a monster. And he loves Bian/Ziheng more than his life and his soul and the entire world but he’s also the one who hurt him more than anyone else ever could and did it over and over. His love survived a literal century of torture in the worst kind of hell and refused the usual memory loss of new life. But it also humiliated and broke Ziheng down to his constituent parts.

One of the things that is so fascinating to me about this novel is the question of what can be forgiven/what should be forgiven/what kind of expiation is enough/can you ever love someone who you loved so much and then he hurt you so badly and is now repentant? And it never sweeps trauma under the rug or hand waves it away but deals with it head on. If you want healthy relationships, you should stay far away from this novel but if intense insane ones with a feral barely human one capable of destroying the world leashed by love and guilt to the sane deeply good one is your bag, come right in. There is also the world building and the fact that yes, the big fall out between Ziheng x Zixiao is based on not knowing all the facts but it’s not “why can’t you talk?! This is dumb!” But is totally in keeping with both events and their characters. It’s reasonable for Ziheng to do what he does and for Zixiao to misunderstand and decide Ziheng is now his biggest enemy (but still one he’s fixated on) and for Ziheng to never be able to clarify. Anyway, once again this is trigger warning central so please heed those, but if they are no issue, this one is wonderful.

7 Stars of Chaos (Sha Po Lang) by Priest (danmei) - so smart and so much clever world building. There is enough politicking to satisfy a Qiang Jin Jiu fan, it’s steampunk, and our two protagonists - Gu Yun, the empire’s most powerful general, who’s loyal to the empire despite being badly wronged by it, and Chang Geng, a cursed prince with barbarian blood and horrifying childhood - are wonderful separately and together. This is a huge slow burn but it’s totally worth it! They fall in love with each other’s hearts and brains and ability as much as anything. (Yes, this is the one with the yifu thing. Gu Yun is made Chang Geng’s foster father when he rescues him and brings him back to the capital as a way to keep CG safe in imperial strife. They are 12 and 19 at the time so clearly it’s never a parental relationship.)

6 Heaven Official's Blessing by by MXTX (danmei) - I love it’s sprawling narrative and cast, I love its inventive setting and picaresque story. It’s hilarious and can make me cry. But the novel’s place on this list is due to Xie Lian who is part Kenshin part drama WWX part pure goodness wrapped in heartbreak and trauma wrapped in sunshine.

5 (tie) The Emperor’s Beloved Ugly Girl by 一味相思 (haven't seen it transliterated) (het)- Our heroine is the unlucky laundry maid A’Chou. She is a di daughter of an upperclass family but her family got destroyed in one of the political upheavals of the time and A’Chou, only a small child at the time, was the only survivor and was made an enslaved laundry maid. Due to various events, at the start of the novel she is a laundry maid in a minister’s household and the minister’s beloved daughter is having a fit because she’s supposed to marry the former Crown Prince which may have been great a few years back but Crown Prince had since been deposed, tortured, imprisoned and now is living in the middle of nowhere under conditions that are too meager to be called house arrest. And he’s seriously crippled too. Understandably, the young lady doesn’t want to marry him! She’d rather kill herself and so she does. And so, a desperate plan is hatched - why don’t we pretend the laundry maid is the di daughter of the minister’s household and send her off? And so A’Chu is sent as the bride. She arrives to discover a broke, seriously injured man on the verge of death…and we go from there. This is so gorgeous and tender and slow in just the right way and like AAAAAA! Secondary OTPs (one of which is MM) are also epic.

5 Wishing You Eternal Happiness by Peng Lai Ke (het) - this is almost tied with Dreamer as my favorite het web novel ever though it couldn’t be more different from Dreamer, with its hard-edged and hard-souled protagonists ruthlessly cleaving their way to the world and, eventually, each other, its smart cynical air. Except in one thing - the world of Wishing is just as bloody and dark. Its two protagonists are gentle, deeply wounded souls who may find salvation in each other but even something as basic as safety almost seems out of reach. Jliafu, our heroine, is neither a modern-day transmigrator, nor some exotic princess or demoness. She is very much a period woman of her time, from a weathy merchant clan, whose beauty is her curse. You can tell the novel’s tone from that utterly bleak opening chapter where she, a favorite concubine of a capricious dying emperor, is ordered to be buried alive with him and is not even given the “grace” of white silk but slowly suffocates in the coffin, scrabbling at the lid. There is no grand threats of vengeance on her part, not dramatic opera events. Just despair and death. The whole introductory chapter is haunted by emotional ghosts - the empress’ unrequited love for the monster on the imperial bed (turning into desire for Jiafu’s suffering after he dies), the emperor slowly dying in his prime after waging too many wars, and his fear of being haunted by Pei Youan, a brilliant if sickly minister who died of illness long ago on one of imperial campaigns. There is no triumph for anyone, only loss.

When she wakes up as still a young woman, all she wants is to escape the same fate. There are no plans for power or revenge, only a desire for survival. And so she latches on asking for help from Pei Youan, the only man in her past go-around who showed any consideration and desire and ability to protect her, though he barely knew her. Pei Youan is probably my favorite het web novel ML. Despite his brains and ability, he drifts through life. In modern terms, he clearly has depression. One of the biggest, best joys of the novel is watching these two very good, very quiet, very wounded people discover happiness and love with each other. I sort of want to cry just thinking about it, tbh.

4 Ballad of Sword and Wine (Qiang Jin Jiu) by Tang Jiu Qing (danmei) - a dense political tome that takes a while to get going but then it’s a runaway train. In a fictional dynasty, Shen Zechuan, the only remaining son of a disgraced aristocratic family and Xiao Chiye, the younger son of a family of generals guarding the border join forces (and then something else) to get power and pull down the dysfunctional system.

This is so elegant and smart (a rare web novel I’d recommend to anyone who just loves solid period fiction) and you probably need a notebook to keep track of the politics and military strategy. These characters are very very smart not just because the author says so.

As to the characters, there is a large cast and I love many of them, but for me the novel is made by Shen Zechuan and Xiao Chiye. SZC is gorgeous and delicate and icy and can kill you before you have time to blink. Saddled with the sins of the family he had no pleasant interaction with, he claws his way out of hell (seeing the sinkhole he was trapped in, literally as well) to take down those who wronged him but also to amass power so all the tragedy and corruption won’t happen again and the whole rotten system comes crashing down. XCY is a military genius who is trapped as a hostage in the capital because the court doesn’t trust his family. He longs to return to the plains of home and to take his rightful place. The two men start out as bitter enemies, then reluctant and sniping allies, then as friends and eventually as one of the most gorgeous, tender, swoony OTPs. Anyway this is one is a bona fide masterpiece, equal parts smart and emotionally intense.

3 Dreamer In the Spring Boudoir by Bai Lu Cheng Shuang (het) - my n1 het novel on this list, smart and fierce and don’t really read this for romance because it does not start until really late, but ice cold heroine x ice cold hero both of equal brains and ruthlessness is everything. I went from loathing the ML to finding him fascinating to adoring him (and yet he softened around the edges only for FL, he never became “nice”) and loved FL throughout; secondaries are epic. If you read only one non-danmei web novel, make it this one.

2 Stains of Filth (Yuwu) by Meatbun Doesn't Eat Meat (danmei) - another novel by the author of 2ha. Clearly she just pushes all my buttons every time. This one is much shorter and has a plot that is twisty but less twisty than 2ha. Still, all that means is that intensity and the pain are more concentrated. Aristocratic Mo Xi and former slave Gu Mang were both legendary generals of the empire and lovers. But Gu Mang betrayed the country and switched to the enemy. Now he is back as a peace offering by that country and Mo Xi has to deal with the fact that his feelings are as strong as ever.

This novel!!! So much pain and intensity!!! So many amazing plot twists and supporting characters. The same bleak world view, the same unjust society, the same protagonists doing right things despite the cost. Mo Xi’s intensity and inability to let go (he’s imprinted on Gu Mang and that’s it) is romantic, bone-shakingly intense, and tragic all at once. And oh Gu Mang! So many times I just wanted to reach into the book physically to protect him. The novel deals with unjust societies, memory versus personality, what it’s like to be good in a bad universe etc. And it both made me sob and giggle, repeatedly, and sold me on literally death-defying (but not honor-defying!) love. Oh, and special shout out to the fact that like 2ha, you may start out hating some characters and end up a rabid fangirl (cough Murong Lian!)

1 The Husky and His White Cat Shizun (2ha) by Meatbun Doesn't Eat Meat (danmei) -my n1 forever and ever.

Taxian Jun, the horrific cultivation emperor of the world who razed cities and destroyed sects, is surrounded on his mountain. The righteous sects are terrified to confront him but tired of living, Taxian Jun consumes poison and dies by suicide at the age of 32. And opens his eyes as 16 year old Mo Ran, Mo Ran long before he became Taxian Jun, Mo Ran who is excited at a chance to save the one person he loved and lost. Oh, and to deal with his loathed shizun, the unapproachable and strict Chu Wanning, his past life’s biggest enemy.

I have no idea if it’s objectively the best on this list but it hits every trope I love, its bleak worldview (the world will change only incrementally but that’s enough, average person will not appreciate the sacrifice but it’s still worthwhile, and love is worth everything) mirrors mine, and the sheer complexity of the plot and cascade of plot twists each of which is insane and yet completely logical, is amazing (this is a rare novel where it’s even more fun to reread than read for the first time because you keep seeing all the hints and trail crumbs laid out that you did not see the first time.)

And the characters!!! I mean, this novel has multiple universes/timelines, a side trip to the Underworld AND the demon realm, a plot more twisted than a store’s worth of pretzels and yet the thing that hits me the most are the characters. Mo Ran is my favorite web novel character of all time and I love Chu Wanning so. All the secondary characters are wonderfully written (and some of them made me bawl) and they are all complex. My opinion of all of them changed many times over; the novel doesn’t make it easy to love some of them but then you do and it’s so worthwhile! That slow change is one of the delights of the novel - I started out disliking the unpleasant, superior Chu Wanning and cruel, callow Mo Ran and then I loved them so so hard and cried for them so so hard and was in awe of their heroism and sacrifice and selflessness and capacity to love.

Oh, and the fact that this novel does something almost impossible - it has its protagonist start out as so clearly irredeemable and then slowly and painfully and thoroughly redeems him (without ever letting the reader forget what it is he needs redemption for.) Also, for a novel that made me cry so hard I felt ill, this book is just so damn funny with the most sarcastic sense of humor imaginable (the serious angst doesn’t even kick in until 90+ chapters!) Anyway I should stop or I will write a dissertation. But this is the one web novel that I would put in my top 5 not just web novels but any novels in any shape or form. The plentiful trigger warnings are there for a reason so stay away if they are an issue, but if not, if anyone hasn’t read it yet, what are you doing with your life?!

[nolongerapileofashprobably]

Should the dev team have committed to Zelda's draconification being permanent and have her stay a dragon at the end, and would that have made for a more honest and poignant ending than the one we got? Some fans think that the ending we got renders her sacrifice completely meaningless and devoid of impact.

The dev team absolutely should NOT have committed to Zelda’s draconification. It would have ruined the entire story and narrative for Zelda’s character and Hyrule itself.

Some people think it made the sacrifice meaningless and devoid of impact. . . But it didn’t. Her choice was her own and it was a statement of dedication to Link and Hyrule as a whole. It was also utterly tragic that she had to do this in order to heal the Master Sword. I am still in utter distress whenever I play the game and watch the memories, despite knowing the ending. Because it’s the tragedy she endured willingly that makes the sacrifice meaningful, not the permanence of it. The sacrifice would hold no value had it been a choice Zelda made knowing she would be reverted.

She didn’t. She thought it was permanent.

And I’m honestly tired of some of these fans just not wanting a happy ending for her character. She deserves peace and a happy life. That’s what she got, which is absolutely justified. And those who think of a story so plainly and only at the big picture miss the details and narratives that point directly towards the ending we actually got.

Let’s talk about if she didn’t turn back.

Firstly, we can start with simple things that personally can be reworked in the future but would create a hurdle for the devs in the future— Zelda would never die as a dragon, she is an immortal being. The Zelda series is quite literally founded upon a reincarnation cycle between Zelda, Link, and Ganon. And only one of them is linked through blood: Zelda. That would cause a bump in the whole reincarnation foundation.

Beyond that, Zelda’s character development would suffer with this choice becoming permanent.

Any fan upset by the ending doesn’t understand the implications of Zelda being granted a second chance. She dedicated her entire life before the calamity to training and praying, only to have her magic awaken AFTER the champions, her father, and nearly Link are killed. Her efforts for the next century keep her body suspended in time and keeps Ganon at bay through her light power. When she wakes up, she is granted a ‘second chance’. In reality, it is simply the life she fought for and rightfully deserved.

So after she made Hyrule her home again, unifying the scarcely populated land and invigorating its culture, she is once again forced to sacrifice everything. This time, she does so as a leader and as one who holds such strong power. Her journey as a Queen leads her to become the very leader she WANTS to be, not the one she was constantly reprimanded to be by her father and the old kingdom. And she learns this throughout her time in the past, with Rauru as her guide.

And that leads us to this point: the belief that to rule is to give up everything.

But where others are punished for this choice (despite Zelda’s warnings, Rauru’s ignorance of Ganondorf’s power leads to Sonia and his own death), Zelda is REWARDED for her choices.

Because she did not just claim that another will defeat Ganondorf and seal him away until present day like Rauru.

Zelda did much more. She raised the sky islands, made a promise with Mineru, solidified the aid of the sages, collected the Master Sword and chose to give LINK the best chance he could have against Ganondorf. Zelda did every single thing she could to ensure Ganondorf would be defeated. She even aids in the final battle, as her will is to end that evil and grant Hyrule the peace she herself will (presumably, to her own knowledge) never experience.

So when she is rewarded for her efforts, by being bathed in sacred light and her body reversed to its previous state. . . It is entirely in line with the narrative thus far. Additionally, Rauru and Sonia present themselves as a ‘second chance parents’ for Zelda. A supportive, patient father in Rauru. A guiding teacher and mother in Sonia.

Tears of the Kingdom mirrors Breath of the Wild in terms of Zelda’s development and story. To give an ending where Zelda remains a dragon. . . It would have been tragic and dishonest to the story that we got.

If you want to read something more in depth and not written by someone with one eye open, this post grants a well rounded answer to this question.

[m4rs-ex3]

something about the fact that ghosting is "a unanimous community decision that has to be discussed by all members of the silvergrove and is not taken lightly." every single elf in the community committed to symbolically killing two loving parents for a supposed moment of shame. including rayla. every single elf in the community committed to symbolically killing a child, for making it out alive. for what they so momentously assumed was abandoning ship. they destroyed the life of a child for not being willing to die.

tiadrin and lain were--to reiterate--loving parents. they were brave enough to dedicate their lives to protecting the future of xadia. i'm sure everyone admired and honored them greatly. then, everyone (symbolically) ended their lives. their best friends, whom they trusted enough to leave their child with them. their own daughter, who loved them, and who spent years of her life looking up to them--revering them to the point where she could validate their decision.

rayla was 15. rayla was endlessly hardworking, achieving, mature, kind, heroic, brave, resilient, and noble. rayla went out of her way to become an assassin, a role in the silvergrove highly respected for their understanding and handling of life and death. rayla did everything she could to be as valiant as her parents. rayla betrayed her own parents, and did everything she could to be nothing like them. rayla was everything the silvergrove could ask for. and rayla made one presumed blunder, and she had the gall to live on.

rayla was 15 when her community, her entire world, abominated her for "cowardice." her honorary father. grief-stricken over the love of his life, but nonetheless having taken her in, shown her the utmost kindness and sensitivity, and raised her for half a decade, at the very least.

i am normal. wdym rayla has trauma? wdym rayla is incredible for having come this far? wdym rayla doesn't deserve to lose everything she has left for what she good-intentional-ly did when she was as fractured a person as you can be? wdym tdp is really good at building cultures with nuance? wdym

[kismet-cat]

Something I’ve been thinking about a lot is how Jowd and Yomiel are parallel to each other. They’re both so stuck in worldviews that are blatantly wrong- Jowd thinking everything is his fault, and Yomiel thinking everything is the fault of everyone BUT him. To an outside observer, both these views are totally stupid, but the two of them feel like they HAVE to believe it or else everything they’re doing will be for nothing. If jowd is wrong, that means kamila did it, and he can’t let himself believe his kid could do that, it would destroy him. He’s so willing to take on the guilt because he feels responsible for not stopping the tragedy- even when it was literally impossible for him to foresee or stop. If Yomiel is wrong, then it means that literally everything he’s been doing since dying is useless and he’s the one responsible for the deaths of both Sissels, and he can’t believe that or he’ll sink even further down. So the two of them both push on, warping the truth until it suits their narratives, both of which are steeped in self-hatred. It’s a good thing they never met up before their respective character developments- like Yomiel said, Jowd would have loved to be executed by his own daughter. Sorry for talking so much I just think they’re fascinating!!! I love ghost trick!!!

No need to apologize, I love hearing other people's Ghost Trick takes/analysis! Especially along these lines!

This specific parallel is def one I've thought about too, and you put it very well! For me, it all comes back to the set of questions I posed in this post as being at the core of Ghost Trick's story:

1. When something terrible happens to you, what do you do with that trauma? 2. When you do something terrible, when you make a terrible mistake, what do you do with that guilt?

Like you said, Jowd is a person who, in response to both questions, internalizes all the blame; whereas Yomiel, in response to both (pre Chapter 17), externalizes all his hatred. And yes, from an outside perspective they're kind of ridiculous — just look at how many chatters in the secret sleepover society streams (and other lps I've watched) have been reacting to Jowd as a character.

But one of the things fiction arguably exists for is to present characters that take such ideas to such extremes for the sake of exploring those questions and making a greater point; it's the premise "What if there was guy who ___? Wouldn't that be fucked up or what?". And for me (and a lot of people, clearly) Ghost Trick succeeds in getting you to take those characters seriously, because they and the people around them take their own stakes seriously, while ultimately making it clear that their responses were irrational.

...And hey, while I'm here:

Cabanela's answer to the second question is to bury all evidence of it, to Not Think About It, to become (or at least project the image of) a person who would never make that kind of mistake. Meanwhile, his answer to the first question, if we say the terrible thing in question is his best friend confessing to killing his wife and asking to be executed, is to dedicate himself to trying to undo it, to set things right, everything else in his life be damned.

These answers are "better" than Jowd's and Yomiel's — they certainly cause less extreme collateral damage — but they still aren't ideal. After all, Ghost Trick is a game that highly values the forging/maintaining of bonds with others and being honest/open with them as the key to both parties' success. It's what saves the day in the end. Without Sissel, all Cabanela's efforts to save Jowd and protect Lynne would have amounted to nothing.

No, the person with the "correct" answer is Lynne. She doesn't really have to grapple with the second question (which is maybe my personal biggest disappointment with her character), but her answer to the first question is clear: Become the kind of person who prevents such things from happening to others, or who can be the one to help them when it does. Always believe in people, and in the ability of things to turn out right.

Now, it must be said: the reason she comes to this answer is not because she was born a perfect idealist. It's because, in that worst moment of her life, someone was there to save and then reassure her; to inspire her. Jowd.

It's her truth, but it's not, say, Yomiel's.

But. It's a truth that inspires the rest of the cast (Sissel and Jowd primarily). And, because of her insistence in it, they're able to go back, defy fate, and make it The Truth of the narrative.

(Sissel similarly only has to really deal with the first question because Reasons, and his answer evolves over the course of the game, from "focus on the wrong that was done to you and what you can do to make yourself feel better about it above everything and everyone else" (doesn't that sound familiar?) to be more aligned with Lynne: "use what you learned/gained from that unfortunate occurrence to help others". And Missile is basically on the "right" wavelength the whole time, which is why everyone agrees he's the Bestest Boy.)

[zuko-always-lies]

hello, it seems like this page is dominated by Azula x girl ships, which is totally cool, I personally could see her with Ty Lee the most, but I was wondering if there are any thoughts on Azula x Sokka? Seeing as Sokka’s positive experiences with family could help Azula’s family trauma, and they are both incredibly smart and witty… just a thought. Please disregard me if you wish.

This is a question which deserves to be dealt with broadly. There actually aren't many reasonably prominent boys around Azula's age she can even potentially be shipped with. it's really only Haru, Teo, Jet, Zuko (note: I do not approve of Azula/Zuko, but I'll get back to that), Sokka, and Aang.

Teo and Haru do have significant appearances, but they receive almost no characterization, so there's not a strong reason to ship them with Azula.

Jet potentially makes a very interesting ship partner for Azula, simply because they have almost nothing in common yet perhaps share a certain drive and determination. However, it's a bit hard to imagine how they would even become lovers, and it's simply not a very popular ship.

For Zuko, even if we ignore the issue of incest, which is not a small issue at all, it's not a very attractive ship for me even from a theoretical perspective. Azula is a way more interesting character than Zuko, but one problem that she has is the everyone (the creators, the series, fanfic writers, fans, etc.) makes everything about her revolve around Zuko. Azula/Zuko as a ship perpetuates this tendency. Also, it involves Azula becoming emotionally dependent on another toxic guy from her family, which is something you'd hope she would grow out of. So yeah, I don't like Azula/Zuko due to the incest, but even ignoring that it doesn't seem particularly compelling to me.

Aang potentially makes a very interesting partner for Azula. They share so much. They're duty-driven prodigies who had an immense weight of expectations placed on them, they both love making mischief, they're both deeply ethical individuals, even if they're ethic systems are completely different, and Azula is even arguably one of the characters least inclined to resort violence in the series, just like Aang. Azula also left a scar on Aang's body when she killed him, so there's potentially a very odd sort of connection to explore. And Aang's compassion would be complex for Azula to experience and you can do a lot about how their cultures clash and combine. However, that being said, I have only very rarely seen an Azulaang fic I like. Common issues are

Putting Aang in a position of power over Azula

Making Azula's life resolve around serving Aang

Cutting Azula completely off from her connection to her nation

Softening Azula's character in a way that removes her canonical drive and ambition

Now we can finally talk about Sokka. The theoretical basis for Sokka/Azula is pretty strong. They're both warriors with daddy issues, they're both duty dedicated they both struggle to live up to their desired roles, they're both leaders, they're both highly intelligent, they're both sarcastic as hell, etc. The parallels just keep piling up. Azula is even one of the few characters to value nonbenders. There's a reason why this is the most popular Azula x male ship.

However, I have found that I don't tend to like Sokkla fics. Something feels off about them. I think part of the issue is that Sokka is a very hard character to write well, and he tends to feel a bit off to me whenever I see him in fanfiction. He's as silly and childish and idiotic and melodramatic as he is mature, intelligent, and dutiful. Also, it's easy to completely ignore his cultural background, but I think that background is critical to the character. Generally I've found that Sokkla fics tend to feel like they're about Azula much more than they're about Sokka, and it doesn't quite read right to me. And I guess in a certain way maybe Sokka and Azula are too similar for the ship to be truly compeling.

Anyways, those are just my personal opinions. Readers, please don't get mad because I don't like your ship.

[raisedbythetv89]

I don’t understand how people can actually hate season 1 of Buffy unless they just hate fun and like jw has claimed “loves seeing buffy suffer” and be blamed and punished for everything???? It’s so nostalgic and camp and queer coded what do you mean you don’t like it????

The puppet show is comedic genius and I’ll say that shit with my whole chest - they’re dealing with an unknown demon killing children and Giles who is always chastising Buffy for focusing too much on things outside of slaying is like “THE SHOW! ITS ABOUT TO START!” 🏃🏻‍♂️💨

Buffy has beef with a puppet for 3/4ths of the episode that is so Spike of her and EXTREMELY FUNNY to me to have the slayer who decapitates vampires with tiny X-Acto knives and knowingly walks to her death majorly creeped out by a dummy 😹😹😹😭😭

Buffy whining in tandem with the tuba playing on the stage as a background sound track to her sinking mood after Synder forces the scoobies to participate in the talent show

The curtain opening to Buffy cradling the dead dummy and a dead demon on stage and Synder in the audience goes “I don’t get it - is it avant-garde?”

THAT SHIT IS SO FUCKING FUNNY TO ME

And Buffy is just in top form for me. Realizing Amy is in her mom’s body even on the verge of death. Seeing the way Cordy treats Willow and immediately finding a reason to align herself with Willow instead despite it being a new school and she is still struggling with not fitting into her old, pre-slayer life. Helping Billy face his fears in his nightmare while overcoming her own of becoming a vampire and really owning her slayerness in a way we haven’t seen before there’s a lot of scary things in the world “AND IM ONE OF THEM”

LIKE YES GIRL YOU ARE TINY AND SCARY I LOVE YOU SO MUCH OWN THAT SHIT. The whole bit where Angel is like BEWARE CLAW VAMP SO DANGEROUS WATCH OUT BE CAREFUL - and she’s like right…… I’m gonna use him as my own personal bloodhound to find the REAL monster. I EAT THAT SHIT RIGHT UP ITS AMAZING. It’s also when Buffy is blamed and suffering the least it’s such a nice break for the entire rest of the series that sometimes I just desperately need.

I LOVE that a show that gives us such deeply emotional moments and captures depression perfectly in season 6 can also be so silly and camp with genuine human emotion and connection underlying it because of the core of very talented and dedicated actors

AND THIS IS COMING FROM A DIEHARD SPUFFY. My man isn’t even there yet and Angel with his useless cryptic creepy bullshit is annoying me to no end AND I STILL LOVE IT

I know there’s tons of technical and quality stuff that gets better as the seasons go on but that’s part of the charm for me.

So anyway leave season 1 alone, she’s my girl and I love her.